IUGJHR Vol 62, No 6, 6102, pp 562-552 ISSN 2410-3179 تاريخ اإلرسال )7502-05-50( تاريخ قبول النشر )7502-05-10( *.1 رواية املوت والبنية السخرية مناذج من الرواية العربية أ. جس ى غ اد ش ط اهسايػة األرد ة غ ان - األردن البريد االلكتروني للباحث المرسل: E-mail address: tasnim_410@hotmail.com 1 * الملخص: ح اهل ػا اهتضخ رها ة امل ة يف ة ح ا اهس ضؼ ة ه ضاهل اهكشف غ ةػض أهز جع ن اهكح اب اهػؼب هو ة هجص راج ى اهفكؼ ة هاهف ة هفكؼة امل ة هاهح أي ن ف ا هج ظ ف ة ة اه اكػ ة اهس ضؼ ة هطؼح غغد ي األفكار املحػو لة ةامل ة إلغادة ص اغة املفا ى هاهغالالة غتؼ جشك الة ف ة يح غة ك ا غف إهى جحت ع اهؼؤى اهف ة اهحي جظ ح ا اهؼها اة هاهحشك ن اهف ي اهػو زاءة ف هو ص ل إهى صلائق ف ة هدالالة زغ غة. هكغ كشف اهت ضخ غ يض ر أساس ج اهل اهكحاب اهػؼب ي ظاله ا كظ ة امل ة ا: اهؼهح هاهسػي إهى اهعو د هكغ يث اهؼها اة يف املض ر األهل يا حػو ق ة ا ة اهؼهح هرصوح ا ملص ؼ ا املضح م هكػهم غالكح ا اهشائكة يع اهسسغ اهفا ي. هيف املض ر اهذا ي كغ يث اهؼها اة رؤ ة ف ة جلغ م شكال ي أشكال اهحصاهش يع امل ة هكػهم شكالى آظؼ ي االسحسالم ه هاهعظ ع هسط ج هزتؼهج. ه سػى اهتضخ إهى اسح طاق أرةػة أغ ال رهائ ة ة غف اهكشف غ يغى إيكا ة امل ارسة اهؼ هائ ة ي ج ذ ن ػ اهلظ ة اهفكؼ ة اهشائكة هاهحػت ؼ غ ا ةص رة ف ة يع جلغ ى صلائق ف ة هز اه ة زغ غة جؤد ؼ يف اه غي اهػام هجغغ هحسغ غ أدهاج هف ى اهك ن ي ص ه هذهم ي ظالل اسحلؼاء اه ص ص اهؼ هائ ة هرصغ اهح ل اة اهس اه ة هاألساه ب اهف ة ي ظالل اهح ضو ن هاهحفس ؼ هاهحػو ن هوظ ا ؼ اهس اه ة اهتارزة يف اهؼها اة. فؼطث أسئوة اهتضخ هطت ػة اهظا ؼة املغرهسة اهس ع ة امل س االزح اغي هاهس اهي هكغ جى ج ظ ف امل ر االزح اغي يف اه ك ف ىلع رؤ ة اهؼها اة هاسحسالء يظاي ا هو ك ف ىلع اهضلائق اهف ة اهحي جلغ ي ا هغ ن امل ر اهف ي ىلع جحت ع اهك ف ة اهحي غؼطث ف ا ػ اهؼؤى هاملظاي هاألساه ب اهف ة املسحعغية. كلمات مفتاحية: رها ة امل ة اهؼهح اهسسغ اهعو د اه ل. The novel of death and the magical structure - models of the Arabic novel Abstract This research deals with the novel of death in its magical structure. It attempts to uncover some aspects of the Arab writers' imagination of death, their intellectual and artistic perceptions of the idea of death and their meditation on it. In addition, it aims to reveal the use of the structure of realistic magic to put a number of ideas on death to rephrase concepts and connotations across various technical configurations, and to follow the artistic visions contained in the novels and the technical composition that came in to access the new technical facts and indications The research discloses two main axes in which the Arab writers dealt with the issue of death: the soul and the pursuit of eternity. The narratives in the first axis presented the essence of the soul and its journey to its inevitable fate, as well as its thorny relationship with the transient body. In the second axis, the narratives presented an artistic vision of a form of reconciliation with death, as well as another form of surrender and submission to his demeanor and tyranny The research seeks to explore four works of fiction in order to reveal the extent to which narrative practice can represent this thorny intellectual issue and express it in a technical way, while presenting new artistic and aesthetic facts that affect public awareness and invite them to renew their tools to understand the universe around them through the extrapolation of narrative texts and the monitoring of aesthetic techniques and technical methods through analysis, interpretation and explanation of the aesthetic outstanding phenomena in the novels The research questions and the nature of the phenomenon studied imposed the combining of the social and aesthetic approaches. The social approach has been used to identify the vision of the narratives and to clarify their contents to find out the technical facts that they provide. The technical approach followed the way in which these visions, contents, and technical methods were presented. Keywords: the novel of death, the soul, the body, eternity, certainty. 529 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
035 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
035 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
035 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
033 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
035 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
030 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
035 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
035 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
035 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
035 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
055 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
055 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
055 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
053 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
055 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
050 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
055 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
055 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
055 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
055 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
005 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
005 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
005 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
003 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
005 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
000 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0
005 IUG Journal of Humanities Research (Islamic University of Gaza) / CC BY 4.0